On serialism and repetition

Bach’s renowned cello suites (BWV 1007–1012) stand as compositions for solo cello where individual chords interweave with the suite’s structure. This duality presents listeners with both melody and an ever-evolving musical texture. In contemporary discussions of serialism, the name Steve Reich naturally surfaces (influenced by J.S. Bach), notably his minimalist opus “Music for 18 Musicians” …

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